Los de Belfast son uno de las mejores bandas del post-punk actual y en su primer álbum, el sobresaliente “The New Life”, ya demostraron que sabían manejar muy bien los temas largos y oscuros. Algo que han perfeccionado en el ‘Zero Triptych’, su nuevo single, que ellos mismos definen como “una sinfonía en tres partes”. Si “Arms Around A Vision” ya les catapultó, su nuevo trabajo “Stains on Silence” les ha acabo de definir con la punta de lanza de un género en pleno auge.
Belfast’s Girls Names have confirmed details of their new album and shared the opening track, along with accompanying live dates. ‘Stains on Silence’, the band’s fourth LP, will be released on June 15th via Tough Love Records and today the band have shared a first taste with the brooding “25”.
“25” on YouTube: https://youtu.be/gPHVlQGyX0o
“25” on Soundcloud: https://soundcloud.com/tough-love/girls-names-26
It stands to reason that many vital albums come critically close to never being made. The eight-track upshot of doubt, upheaval and financial strain, ‘Stains on Silence’ by Girls Names is one such release.
Following 2015’s blitzing ‘Arms Around a Vision’, and the parting of drummer Gib Cassidy just over a year later, the Belfast band suddenly found themselves facing down a looming void. “There was a finished – and then aborted – mix of the album, which was shelved for six months,” reveals Girls Names frontman Cathal Cully. “We then took a break from all music and went back to full-time work. We chilled out from the stress of rushing the record and not being happy with it, as well as being skint with no impending touring on the cards and constantly having to worry about rent.”
The stumbling blocks that proved a strain became the album’s defining breakthrough. Recorded in various locations including Belfast’s Start Together Studio with Ben McAuley, Cully’s home and the band’s practice space, spontaneous creation, cut-up techniques and self-editing took centre-stage for the first time. “We started tearing the material apart and rebuilding, re-editing and re-recording different parts in my home in early Autumn last year,” says Cully. “When we got them to a place we were pleased with we went back into Start Together Studio with Ben McAuley to finalise the mixes to what they are now.”
Where ‘AAAV’ proved a brazen statement of intent, ‘Stains on Silence’ bounds forth as its feature-length comedown. What could have seen the band buckle became an opportunity for approaching things tabula rasa. During its two-year transmutation, Cully, bassist Claire Miskimmin and guitarist Philip Quinn had a single aim for their fourth album: to make an old-fashioned record clocking in around 30 to 35 minutes in length that made the listener reach straight for repeat. From the Bang Bang bar-summoning swoon of opener ’25’ and the submerged disco doom of ‘Haus Proud’ to the rapt, dub-leaning ‘Fragments of a Portrait’, Girls Names have excelled in their goal by forging an LP of synchronous nuance and defiance.
Marked by the presence of drum machines and programming throughout, these eight masterfully-woven tales are once again commandeered by founder Cully, whose words, understated yet defiant, mine purpose and meaning from the mire (“I want to bathe again, I want to swim again / In a pool of twisting bodies, blackened gold.” — ‘25’). But while ‘Stains on Silence’ came critically close to never being made, having lived with it, reconfigured it, and guided its metamorphosis from flickers of inspiration and half-formed schemes, it’s both a statement of pure perseverance, and a head-on confrontation with ambivalence that couldn’t be more assured.
